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Nicolas Lancret French
1690-1743
Nicolas Lancret (22 January 1690 ?C 14 September 1743), French painter, was born in Paris, and became a brilliant depicter of light comedy which reflected the tastes and manners of French society under the regent Orleans.
His first master was Pierre d'Ulin, but his acquaintance with and admiration for Watteau induced him to leave d'Ulin for Gillot, whose pupil Watteau had been. Two pictures painted by Lancret and exhibited on the Place Dauphine had a great success, which laid the foundation of his fortune, and, it is said, estranged Watteau, who had been complimented as their author.
Lancret's work cannot now, however, be taken for that of Watteau, for both in drawing and in painting his touch, although intelligent, is dry, hard and wanting in that quality which distinguished his great model; these characteristics are due possibly in part to the fact that he had been for some time in training under an engraver.
The number of his paintings (of which over eighty have been engraved) is immense; he executed a few portraits and attempted historical composition, but his favorite subjects were balls, fairs, village weddings, etc. The British Museum possesses an admirable series of studies by Lancret in red chalk, and the National Gallery, London, shows four paintings--the "Four Ages of Man" (engraved by Desplaces and l'Armessin), cited by d'Argenville amongst the principal works of Lancret. In 1719 he was received as Academician, and became councillor in 1735; in 1741 he married a grandchild of Boursault, author of Aesop at Court.
Nicolas Lancret Tiger Hunt mk155
1736
Oil on canvas
177x129cm
Painting ID:: 43242
X
Nicolas Lancret A Lady in a Garden Taking coffee with some Children mk170
circa 1742
Oil on canvas
88.9x97.8cm
Painting ID:: 43243
X
Nicolas Lancret The Four Times of the day Morning mk170
1739
Oil on copper
28.6x36.5cm
Painting ID:: 51054
X
Nicolas Lancret Portrait of Charles Le Brun 1686
Oil on canvas,
232 x 182 cm M
Painting ID:: 51361
X
Nicolas Lancret Manhood mk218
1840
Oil on cardboard
28.9x34cm
Painting ID:: 51362
X
Nicolas Lancret The Four Ages of Man Maturity mk218
1730-35
Oil on canvas
33x44.5cm
Painting ID:: 59521
X
Nicolas Lancret Le jeu des quatre coins "Le jeu des quatre-coins" by Nicolas Lancret
Painting ID:: 69095
X
Nicolas Lancret skridskon bindes olja pa duk 138x106
se
Painting ID:: 72092
X
Nicolas Lancret La remise de l'Ordre du Saint-Esprit dans la chapelle de Versailles La remise de l'Ordre du Saint-Esprit dans la chapelle de Versailles
ca. 1724
Painting ID:: 73620
X
Nicolas Lancret La remise de l'Ordre du Saint-Esprit dans la chapelle de Versailles La remise de l'Ordre du Saint-Esprit dans la chapelle de Versailles
Date ca. 1724
cyf
Painting ID:: 82094
X
Nicolas Lancret A Lady and Gentleman Taking Coffee with Children in a Garden Date English: probably 1742
Medium Oil on canvas
Dimensions 88.9 x 97.8 cm (35 x 38.5 in)
cjr
Painting ID:: 82947
X
Nicolas Lancret Das Schinkenfrustuk 1735(1735)
Medium Oil on canvas
Dimensions Deutsch: 188 x 123 cm
cyf
Painting ID:: 83157
X
Nicolas Lancret Das Schinkenfruhstuck 1735(1735)
Medium Oil on canvas
Dimensions Deutsch: 188 x 123 cm
cyf
Painting ID:: 83369
X
Nicolas Lancret The Serenade 81,5 x 107 cm, style: genre painting, technique: oil on canvas
cyf
Painting ID:: 85713
X
Nicolas Lancret A Lady and Gentleman Taking Coffee with Children in a Garden English: probably 1742
Medium Oil on canvas
Dimensions 88.9 x 97.8 cm (35 x 38.5 in)
cyf
Painting ID:: 92147
X
Nicolas Lancret Die Kuche 1st half of 18th century
Medium oil on canvas
Dimensions 41 X 33 cm
cjr
French
1690-1743
Nicolas Lancret (22 January 1690 ?C 14 September 1743), French painter, was born in Paris, and became a brilliant depicter of light comedy which reflected the tastes and manners of French society under the regent Orleans.
His first master was Pierre d'Ulin, but his acquaintance with and admiration for Watteau induced him to leave d'Ulin for Gillot, whose pupil Watteau had been. Two pictures painted by Lancret and exhibited on the Place Dauphine had a great success, which laid the foundation of his fortune, and, it is said, estranged Watteau, who had been complimented as their author.
Lancret's work cannot now, however, be taken for that of Watteau, for both in drawing and in painting his touch, although intelligent, is dry, hard and wanting in that quality which distinguished his great model; these characteristics are due possibly in part to the fact that he had been for some time in training under an engraver.
The number of his paintings (of which over eighty have been engraved) is immense; he executed a few portraits and attempted historical composition, but his favorite subjects were balls, fairs, village weddings, etc. The British Museum possesses an admirable series of studies by Lancret in red chalk, and the National Gallery, London, shows four paintings--the "Four Ages of Man" (engraved by Desplaces and l'Armessin), cited by d'Argenville amongst the principal works of Lancret. In 1719 he was received as Academician, and became councillor in 1735; in 1741 he married a grandchild of Boursault, author of Aesop at Court.
